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Boston Red Sox ’47 Rainbow Pride T-Shirt

Ảnh của tác giả: rainbowtclothingllrainbowtclothingll

Boston Red Sox ’47 Rainbow Pride T-Shirt

Pierpaolo Piccioli is the Boston Red Sox ’47 Rainbow Pride T-Shirt and I love this creative director of Valentino. He submitted a self-portrait and was interviewed for Vogue’s June/July portfolio. His conversation with Hamish Bowles has been condensed and edited. I’m at home by the seaside, and I live all day long outside in my garden. I look very much like Mr. Valentino—so tanned! From here, I video call all day long, I sketch—it has been a long time since I was able to draw, and now I can paint and whatever. I make a lot of ideas, and then I share them with my teams—ready-to-wear, accessories, couture, men’s, all the collections. It’s a different way of working, but actually I’m working a lot. I feel now that I am the very center of so many people, so in the beginning it was important for me to deliver good vibes to these people, to my team, so it was more about sharing experiences and thoughts about this situation. Now, we are actually working, in order to be ready at least when the factories are finally open.


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Official Boston Red Sox ’47 Rainbow Pride T-Shirt

In this moment we’re working more on sketches and drawings than usual. Personally, I draw a lot, I sketch a lot, and the Boston Red Sox ’47 Rainbow Pride T-Shirt and I love this team also sketches, so we see much more of the graphic part of the collection, and less of the craft. But in a way, it encourages you to think more. The result is going to be more precise, more sharp and focused in the end because we’re going to produce only what we think of really as good, and what we want. On the other hand, we’re thinking of the way we’re going to sell collections, how we’re going to present couture, how we’re going to shoot the campaign: Everything is different and challenging. Couture is the life of dreams, of positivity, of beauty, so I am trying to keep the moment of couture in July, not moving it to September and showing all the collections together because that doesn’t make sense to me. I am working on couture, of course, and I hope that I’ll be able to do the collection. But I’m thinking of presenting in a different way, and so I’ll also work in a different way. Now, of course, the runway is not going to be possible, but I don’t want to skip the collection; I want to do it with a different medium.


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Top Boston Red Sox ’47 Rainbow Pride T-Shirt

Pierpaolo Piccioli is the Boston Red Sox ’47 Rainbow Pride T-Shirt and I love this creative director of Valentino. He submitted a self-portrait and was interviewed for Vogue’s June/July portfolio. His conversation with Hamish Bowles has been condensed and edited. I’m at home by the seaside, and I live all day long outside in my garden. I look very much like Mr. Valentino—so tanned! From here, I video call all day long, I sketch—it has been a long time since I was able to draw, and now I can paint and whatever. I make a lot of ideas, and then I share them with my teams—ready-to-wear, accessories, couture, men’s, all the collections. It’s a different way of working, but actually I’m working a lot. I feel now that I am the very center of so many people, so in the beginning it was important for me to deliver good vibes to these people, to my team, so it was more about sharing experiences and thoughts about this situation. Now, we are actually working, in order to be ready at least when the factories are finally open.

In this moment we’re working more on sketches and drawings than usual. Personally, I draw a lot, I sketch a lot, and the Boston Red Sox ’47 Rainbow Pride T-Shirt and I love this team also sketches, so we see much more of the graphic part of the collection, and less of the craft. But in a way, it encourages you to think more. The result is going to be more precise, more sharp and focused in the end because we’re going to produce only what we think of really as good, and what we want. On the other hand, we’re thinking of the way we’re going to sell collections, how we’re going to present couture, how we’re going to shoot the campaign: Everything is different and challenging. Couture is the life of dreams, of positivity, of beauty, so I am trying to keep the moment of couture in July, not moving it to September and showing all the collections together because that doesn’t make sense to me. I am working on couture, of course, and I hope that I’ll be able to do the collection. But I’m thinking of presenting in a different way, and so I’ll also work in a different way. Now, of course, the runway is not going to be possible, but I don’t want to skip the collection; I want to do it with a different medium.

 
 
 

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