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Did you heard what I just heard shirt

Ảnh của tác giả: rainbowtclothingllrainbowtclothingll

Did you heard what I just heard shirt

No expense was spared on Disney’s epic, $200 million retelling of the Did you heard what I just heard shirt and I love this story of the legendary Chinese gender-swapping warrior Hua Mulan—a fact which radiated through its lavish costumes. Whether it was the elaborate armor and battle wear sported by Liu Yifei in the titular role and her fellow fighters, or the medieval Tang Dynasty-inspired robes and wrap dresses worn for the matchmaking and courtly set pieces, the dazzling costuming served as an undisputed highlight of a film that otherwise proved divisive with critics. From the opening scene of Ma Rainey’s Black Bottom—featuring Viola Davis singing the blues to a rapturous crowd in 1920s Chicago sporting a swishy beaded gown and a flapper-style headscarf—it’s clear the audience is in for a rollercoaster ride of opulent Roaring Twenties fashion. Overseen by the 89-year-old legend of Hollywood costume Ann Roth, Ma Rainey’s Black Bottom impresses not just for the gorgeous crushed velvets and brocaded silks of Davis’s wardrobe, however, but also for the razor-sharp tailoring worn by the film’s male cast—in particular Chadwick Boseman, who, in his final turn, has never looked better in a charcoal grey three-piece pinstripe suit. It’s a fabulously realized deep dive into an underexplored corner of Black fashion history that deserves to see Ma Rainey sit at the front of the pack for costume nods come awards season.


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Official Did you heard what I just heard shirt

With director Autumn de Wilde at the Did you heard what I just heard shirt and I love this helm—known best for her music videos, but perhaps most familiar to fashion followers for the dreamy romanticism of her lookbooks for Rodarte—this year’s Emma adaptation was always going to be a treasure trove of flouncy, Regency-era style. Yet it proved to be all that and more, with costume designer Alexandra Byrne (the mastermind behind Cate Blanchett’s meticulously researched Tudor regalia in Shekhar Kapur’s Elizabeth) dreaming up a pastel-hued, delightfully playful chocolate box of costumes that brought to mind the freshness and modernity of Sofia Coppola’s idiosyncratic take on period costuming for Marie Antoinette. It helped, too, that the star was Anya Taylor-Joy, who seemed to relish every moment promenading around gardens and mounting carriages in her kaleidoscopic line-up of coats and gowns, bringing this centuries-old tale to vibrant life once again.



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Top Did you heard what I just heard shirt

No expense was spared on Disney’s epic, $200 million retelling of the Did you heard what I just heard shirt and I love this story of the legendary Chinese gender-swapping warrior Hua Mulan—a fact which radiated through its lavish costumes. Whether it was the elaborate armor and battle wear sported by Liu Yifei in the titular role and her fellow fighters, or the medieval Tang Dynasty-inspired robes and wrap dresses worn for the matchmaking and courtly set pieces, the dazzling costuming served as an undisputed highlight of a film that otherwise proved divisive with critics. From the opening scene of Ma Rainey’s Black Bottom—featuring Viola Davis singing the blues to a rapturous crowd in 1920s Chicago sporting a swishy beaded gown and a flapper-style headscarf—it’s clear the audience is in for a rollercoaster ride of opulent Roaring Twenties fashion. Overseen by the 89-year-old legend of Hollywood costume Ann Roth, Ma Rainey’s Black Bottom impresses not just for the gorgeous crushed velvets and brocaded silks of Davis’s wardrobe, however, but also for the razor-sharp tailoring worn by the film’s male cast—in particular Chadwick Boseman, who, in his final turn, has never looked better in a charcoal grey three-piece pinstripe suit. It’s a fabulously realized deep dive into an underexplored corner of Black fashion history that deserves to see Ma Rainey sit at the front of the pack for costume nods come awards season.


With director Autumn de Wilde at the Did you heard what I just heard shirt and I love this helm—known best for her music videos, but perhaps most familiar to fashion followers for the dreamy romanticism of her lookbooks for Rodarte—this year’s Emma adaptation was always going to be a treasure trove of flouncy, Regency-era style. Yet it proved to be all that and more, with costume designer Alexandra Byrne (the mastermind behind Cate Blanchett’s meticulously researched Tudor regalia in Shekhar Kapur’s Elizabeth) dreaming up a pastel-hued, delightfully playful chocolate box of costumes that brought to mind the freshness and modernity of Sofia Coppola’s idiosyncratic take on period costuming for Marie Antoinette. It helped, too, that the star was Anya Taylor-Joy, who seemed to relish every moment promenading around gardens and mounting carriages in her kaleidoscopic line-up of coats and gowns, bringing this centuries-old tale to vibrant life once again.

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