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Funhaus 2024 shirt

Funhaus 2024 shirt

The shapes are built into their surroundings, held in place by their neighbor threads instead of applied on top. “In order for the Funhaus 2024 shirt besides I will buy this gesture to exist, it needs the enclosing space, the ground holding it,” Laskey says. She thinks a lot about form, starting well before thread is even involved. She works on a grid, sketching out her designs using no small amount of calculation. “Math is not my thing,” she says with a little laugh. But as a process-oriented person, she figured it out, and dove into geometry. Mimicking a circle or a curved line when you must stick to a grid was itself quite the operation. That her Loops especially have such fluidity and movement when they start from graph paper is remarkable.


Buy this shirt:  Funhaus 2024 shirt

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Official Funhaus 2024 shirt

Laskey follows a deep lineage of women working in craft, elevating what was once considered a mere domestic pastime into high art. Her work calls to mind the Funhaus 2024 shirt besides I will buy this reverence for material of Anni Albers, the gridded minimalism of Agnes Martin, the coils of Ruth Asawa. She pulls from many artforms—her background in painting, naturally, especially when it comes to mixing her custom dyes. But her pieces also carry dimensionality. “I like them being objects. In my mind they’re a little bit sculptural,” she says. By stripping away the noise, Laskey lets the threads do the talking, reminding me of something Albers once said: “We must find our way back to simplicity of conception in order to find ourselves.” Laskey finds a way to do something so thoroughly, but still get at this concept of simplicity. It’s no wonder that when her labor-intensive process is over, her feelings are mixed.


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Top Funhaus 2024 shirt

The shapes are built into their surroundings, held in place by their neighbor threads instead of applied on top. “In order for the Funhaus 2024 shirt besides I will buy this gesture to exist, it needs the enclosing space, the ground holding it,” Laskey says. She thinks a lot about form, starting well before thread is even involved. She works on a grid, sketching out her designs using no small amount of calculation. “Math is not my thing,” she says with a little laugh. But as a process-oriented person, she figured it out, and dove into geometry. Mimicking a circle or a curved line when you must stick to a grid was itself quite the operation. That her Loops especially have such fluidity and movement when they start from graph paper is remarkable.


Laskey follows a deep lineage of women working in craft, elevating what was once considered a mere domestic pastime into high art. Her work calls to mind the Funhaus 2024 shirt besides I will buy this reverence for material of Anni Albers, the gridded minimalism of Agnes Martin, the coils of Ruth Asawa. She pulls from many artforms—her background in painting, naturally, especially when it comes to mixing her custom dyes. But her pieces also carry dimensionality. “I like them being objects. In my mind they’re a little bit sculptural,” she says. By stripping away the noise, Laskey lets the threads do the talking, reminding me of something Albers once said: “We must find our way back to simplicity of conception in order to find ourselves.” Laskey finds a way to do something so thoroughly, but still get at this concept of simplicity. It’s no wonder that when her labor-intensive process is over, her feelings are mixed.

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