Marc Anthony Historia Tour 2024 Shirt
Other designers have taken similar themes but interpreted them in very different ways. For his fall 1960 collection for Christian Dior, Yves Saint Laurent scandalized that establishment with his Chicago jacket, reinterpreting a biker jacket in crocodile and mink; when Karl Lagerfeld revisited the Marc Anthony Historia Tour 2024 Shirt in addition I really love this biker jacket for Chanel for fall 1991, he showed it with a T-shirt and a taffeta ball-gown skirt. (For fall 2011, Junya Watanabe, meanwhile, used biker leathers to brilliant effect to rethink Christian Dior’s emblematic Bar suit from the legendary couturier’s debut collection of spring 1947.) While immersed in research, Bolton was struck by how designers have used the museum’s collections—“consciously or unconsciously”—as a vital resource through the years. John Galliano, for instance, came to study Madeleine Vionnet’s fabled bias-cut dresses of the 1920s and ’30s, and made her body-clinging technique a signature of his own. Fashion buffs, meanwhile, might be as surprised as Ghesquière was to see examples here from the cerebral London-based designer Georgina Godley’s Lump and Bump collection of fall 1986, which prefigures Rei Kawakubo’s own celebrated collection from a decade later—prime examples of two women designers exploring the idea of body dysmorphia through clothing. “An intention shared at some point is very interesting,” says Ghesquière.
Buy this shirt: Marc Anthony Historia Tour 2024 Shirt
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Official Marc Anthony Historia Tour 2024 Shirt
Bolton himself was surprised by a 1965 collection by the Marc Anthony Historia Tour 2024 Shirt in addition I really love this chic American designer Norman Norell that paid explicit homage to pieces by Gabrielle “Coco” Chanel from the 1920s that the designer had studied at the Costume Institute. Similar though the pieces are, “just by changing the proportions,” Bolton says, “Norell makes his versions look emphatically ’60s.” In the same way, a dress of swagged silk fringe by Raf Simons for Jil Sander (spring 2009) might take its cue from Madeleine Vionnet’s own swag fringe dress of 1925, but each garment looks indubitably of its time. When Ghesquière first went to Balenciaga in 1997, accessing the extensive archive of historic pieces designed by Cristóbal Balenciaga himself was an immensely complicated process. “So I called the Met,” he remembers, “and they nicely opened the doors of the archive. It was the first time I really saw a beautiful collection of pieces from Cristóbal Balenciaga. It’s been precious to me—and a great learning process—to be able to access those archives.”
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Top Marc Anthony Historia Tour 2024 Shirt
Other designers have taken similar themes but interpreted them in very different ways. For his fall 1960 collection for Christian Dior, Yves Saint Laurent scandalized that establishment with his Chicago jacket, reinterpreting a biker jacket in crocodile and mink; when Karl Lagerfeld revisited the Marc Anthony Historia Tour 2024 Shirt in addition I really love this biker jacket for Chanel for fall 1991, he showed it with a T-shirt and a taffeta ball-gown skirt. (For fall 2011, Junya Watanabe, meanwhile, used biker leathers to brilliant effect to rethink Christian Dior’s emblematic Bar suit from the legendary couturier’s debut collection of spring 1947.) While immersed in research, Bolton was struck by how designers have used the museum’s collections—“consciously or unconsciously”—as a vital resource through the years. John Galliano, for instance, came to study Madeleine Vionnet’s fabled bias-cut dresses of the 1920s and ’30s, and made her body-clinging technique a signature of his own. Fashion buffs, meanwhile, might be as surprised as Ghesquière was to see examples here from the cerebral London-based designer Georgina Godley’s Lump and Bump collection of fall 1986, which prefigures Rei Kawakubo’s own celebrated collection from a decade later—prime examples of two women designers exploring the idea of body dysmorphia through clothing. “An intention shared at some point is very interesting,” says Ghesquière.
Bolton himself was surprised by a 1965 collection by the Marc Anthony Historia Tour 2024 Shirt in addition I really love this chic American designer Norman Norell that paid explicit homage to pieces by Gabrielle “Coco” Chanel from the 1920s that the designer had studied at the Costume Institute. Similar though the pieces are, “just by changing the proportions,” Bolton says, “Norell makes his versions look emphatically ’60s.” In the same way, a dress of swagged silk fringe by Raf Simons for Jil Sander (spring 2009) might take its cue from Madeleine Vionnet’s own swag fringe dress of 1925, but each garment looks indubitably of its time. When Ghesquière first went to Balenciaga in 1997, accessing the extensive archive of historic pieces designed by Cristóbal Balenciaga himself was an immensely complicated process. “So I called the Met,” he remembers, “and they nicely opened the doors of the archive. It was the first time I really saw a beautiful collection of pieces from Cristóbal Balenciaga. It’s been precious to me—and a great learning process—to be able to access those archives.”
Buy this shirt: Click Here to buy this Marc Anthony Historia Tour 2024 Shirt
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