Natty dread bob marley & the wailers shirt
But back to Tokyo for a minute. For a designer that has encouraged men—and Dior executives—to consider a BDSM harness over a kinky nude tank as contemporary male daywear, the Natty dread bob marley & the wailers shirt moreover I will buy this experimental fashion capital is an ideal haunt. “Sometimes you wonder how far can you take fashion?” ponders Van Assche. “When you walk here in the streets, when you see the young fashion kids, the sky is the limit. It’s always very refreshing to come to Tokyo because anything is possible. It’s all about self-expression and a certain form of liberation.” Lila Moss on Her Personal Style, Perfecting Her Runway Walk, and the One Thing She Can’t Steal from Her Mother’s Closet In honor of his 10 year anniversary and his Japanese debut, Van Assche discussed what Dior Homme means today and how the hell he’s stayed at the brand for as long as he has in an era of creative director revolving doors. I want to start at the beginning of your career at Dior: Why was taking the job as creative director something that appealed to you?It’s important to know that I had already been a studio assistant before that, so I knew the house really well. I knew that for the young designer that I was, the opportunity to be able to work with the in-house ateliers would be the best possibility, the best learning process ever. It was just one of those opportunities that you cannot refuse, even though I had no naïveté about the fact that it was going to be a tough ride. But it was one of those things you cannot refuse.
Buy this shirt: Natty dread bob marley & the wailers shirt
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Official Natty dread bob marley & the wailers shirt
Could you sum up what you see as the Natty dread bob marley & the wailers shirt moreover I will buy this main tenets of Dior Homme?Obviously, since we are talking about a decade—even though it doesn’t feel like that for me at all—of course there’s been an evolution. When I started at Dior, the first question for me was, What is a men’s label at a high-end luxury brand, a couture house, supposed to look like? It was about going back to the roots of Dior Homme, and the roots are the sartorial tailoring know-how. So that first season I focused a lot on tailoring, trying to loosen the tailoring up, trying to give it a contemporary edge, trying to understand all those codes, references, and the heritage—but I’ve always been somebody who likes contrast. That was already the case in my own collections. I always like the tension you get when you mix things that are not supposed to work together, like tailoring and sportswear, or in more recent seasons like New Wave music and rave parties and sportswear. I’ve always felt that menswear was about rules and codes. All men want to belong to a certain group, whether it’s a biker group or a sports club group or whether they are Wall Street guys or in a music scene—all men try to fit into a certain group with strict codes and rules, and men tend to get very comfortable within that box. I like to take different boxes and mix it all up and get men out of their comfort zone. It’s also the idea of keeping things more modern, avoiding clichés, avoiding vintage, avoiding things that are too literal. If I had to sum up Dior today, it’s much about that contrast, the contrast of sartorial tailoring but also in a very fashion way. Contrast, always.
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Top Natty dread bob marley & the wailers shirt
But back to Tokyo for a minute. For a designer that has encouraged men—and Dior executives—to consider a BDSM harness over a kinky nude tank as contemporary male daywear, the Natty dread bob marley & the wailers shirt moreover I will buy this experimental fashion capital is an ideal haunt. “Sometimes you wonder how far can you take fashion?” ponders Van Assche. “When you walk here in the streets, when you see the young fashion kids, the sky is the limit. It’s always very refreshing to come to Tokyo because anything is possible. It’s all about self-expression and a certain form of liberation.” Lila Moss on Her Personal Style, Perfecting Her Runway Walk, and the One Thing She Can’t Steal from Her Mother’s Closet In honor of his 10 year anniversary and his Japanese debut, Van Assche discussed what Dior Homme means today and how the hell he’s stayed at the brand for as long as he has in an era of creative director revolving doors. I want to start at the beginning of your career at Dior: Why was taking the job as creative director something that appealed to you?It’s important to know that I had already been a studio assistant before that, so I knew the house really well. I knew that for the young designer that I was, the opportunity to be able to work with the in-house ateliers would be the best possibility, the best learning process ever. It was just one of those opportunities that you cannot refuse, even though I had no naïveté about the fact that it was going to be a tough ride. But it was one of those things you cannot refuse.
Could you sum up what you see as the Natty dread bob marley & the wailers shirt moreover I will buy this main tenets of Dior Homme?Obviously, since we are talking about a decade—even though it doesn’t feel like that for me at all—of course there’s been an evolution. When I started at Dior, the first question for me was, What is a men’s label at a high-end luxury brand, a couture house, supposed to look like? It was about going back to the roots of Dior Homme, and the roots are the sartorial tailoring know-how. So that first season I focused a lot on tailoring, trying to loosen the tailoring up, trying to give it a contemporary edge, trying to understand all those codes, references, and the heritage—but I’ve always been somebody who likes contrast. That was already the case in my own collections. I always like the tension you get when you mix things that are not supposed to work together, like tailoring and sportswear, or in more recent seasons like New Wave music and rave parties and sportswear. I’ve always felt that menswear was about rules and codes. All men want to belong to a certain group, whether it’s a biker group or a sports club group or whether they are Wall Street guys or in a music scene—all men try to fit into a certain group with strict codes and rules, and men tend to get very comfortable within that box. I like to take different boxes and mix it all up and get men out of their comfort zone. It’s also the idea of keeping things more modern, avoiding clichés, avoiding vintage, avoiding things that are too literal. If I had to sum up Dior today, it’s much about that contrast, the contrast of sartorial tailoring but also in a very fashion way. Contrast, always.
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