Oxford double decker 2024 retro arch shirt
Vogue Deputy Editor Taylor Antrim also joined us to give his review of Oppenheimer, the Oxford double decker 2024 retro arch shirt in other words I will buy this other summer tentpole film also out this weekend, that has spawned the insane idea of “Barbenheimer”—or seeing the two wildly different films back-to-back. We also grilled Taylor on the effects of the SAG-AFTRA strike on the fashion and media industries—for example, how will Vogue shoot upcoming cover stories if no one is promoting film projects? And how will the dearth of celebrity red carpet style affect Vogue.com’s traffic? What will we do without Florence Pugh stepping off a gondola, holding her Aperol spritz in billowing Valentino at the Venice Film Festival? Arrivaderci for now, it appears… The star of Reva Ochuba’s latest look book for her label Ifeoma is not a model, nor an influencer, nor a celebrity, but rather the designer herself. The campaign is austere and at times even stark: One image shows Ochuba against a white wall, ominously standing in a feather-trimmed jacket with angled fabric at the sleeves extending downward like daggers. In another photograph, the designer stoically poses in a sharp-shoulder jacket with a cinched waist and a floor-grazing skirt with an angular trumpet hem. On her arm is a bag with a sharp, oval-shaped flat bottom and a small circular mirror on its body.
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Official Oxford double decker 2024 retro arch shirt
Ochuba launched her small but buzzy label in 2017—following an internship at Eckhaus Latta—but put it on hiatus to travel and work in adjacent industries, like at 032c magazine in Berlin. Now she’s relaunching her label this year. This all-black collection—crafted from rich wool, pony hair, and sheepskin—is a departure from Ochuba’s previous work, which is far more colorful and midriff baring. “If you look at my Instagram feed, there is a lot of color and then it just stops,” she says. “I couldn’t really keep up with the Oxford double decker 2024 retro arch shirt in other words I will buy this aesthetic I had going on.” As Ochuba relaunched her brand, she asked herself the basic question: Why am I getting dressed? She toned down the laissez-faire attitude that defined her previous collections and made it more modest. The pieces have certainly transitioned from fun and saucy (midriff-exposing knit crop tops) to more covered up (monastic, sharply structured jackets). “What I was doing before had so much more flaneur and was [about] the woman of the city having a bite to eat,” Ochuba says. “Does she have a job? Probably not. I’m actively working, and I have a job, and I’m trying to be someone serious.”
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Top Oxford double decker 2024 retro arch shirt
Vogue Deputy Editor Taylor Antrim also joined us to give his review of Oppenheimer, the Oxford double decker 2024 retro arch shirt in other words I will buy this other summer tentpole film also out this weekend, that has spawned the insane idea of “Barbenheimer”—or seeing the two wildly different films back-to-back. We also grilled Taylor on the effects of the SAG-AFTRA strike on the fashion and media industries—for example, how will Vogue shoot upcoming cover stories if no one is promoting film projects? And how will the dearth of celebrity red carpet style affect Vogue.com’s traffic? What will we do without Florence Pugh stepping off a gondola, holding her Aperol spritz in billowing Valentino at the Venice Film Festival? Arrivaderci for now, it appears… The star of Reva Ochuba’s latest look book for her label Ifeoma is not a model, nor an influencer, nor a celebrity, but rather the designer herself. The campaign is austere and at times even stark: One image shows Ochuba against a white wall, ominously standing in a feather-trimmed jacket with angled fabric at the sleeves extending downward like daggers. In another photograph, the designer stoically poses in a sharp-shoulder jacket with a cinched waist and a floor-grazing skirt with an angular trumpet hem. On her arm is a bag with a sharp, oval-shaped flat bottom and a small circular mirror on its body.
Ochuba launched her small but buzzy label in 2017—following an internship at Eckhaus Latta—but put it on hiatus to travel and work in adjacent industries, like at 032c magazine in Berlin. Now she’s relaunching her label this year. This all-black collection—crafted from rich wool, pony hair, and sheepskin—is a departure from Ochuba’s previous work, which is far more colorful and midriff baring. “If you look at my Instagram feed, there is a lot of color and then it just stops,” she says. “I couldn’t really keep up with the Oxford double decker 2024 retro arch shirt in other words I will buy this aesthetic I had going on.” As Ochuba relaunched her brand, she asked herself the basic question: Why am I getting dressed? She toned down the laissez-faire attitude that defined her previous collections and made it more modest. The pieces have certainly transitioned from fun and saucy (midriff-exposing knit crop tops) to more covered up (monastic, sharply structured jackets). “What I was doing before had so much more flaneur and was [about] the woman of the city having a bite to eat,” Ochuba says. “Does she have a job? Probably not. I’m actively working, and I have a job, and I’m trying to be someone serious.”
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