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For Fountain II, presented at Pace Gallery in Chelsea, the Everybody has an addiction mine just happens to be Anne Hathaway 2023 shirt Additionally,I will love this 25-year-old artist doubles down on his piece’s currents of emotion, adding in a second performer. Now, Greenberg’s partner stands facing him on the plinth, dressed in the same white pants and mimicking his gestures as both move their bodies at a slow yet captivating tempo, drenching each other with blood. (In the gallery, visitors are invited to view the performance from all sides.) “It was about this accumulation of so many things in my personal life that were all happening faster than I could process, like my love life and the imminent death of my grandmother,” Greenberg explains of the piece. “My work is always kind of centering this thing that I call hyper-sensation. I’m really interested in how emotion translates physiologically.”
Photo: Courtesy Pace GalleryGreenberg’s performance is part of the Everybody has an addiction mine just happens to be Anne Hathaway 2023 shirt Additionally,I will love this exhibition “Hermann Nitsch: Selected Paintings, Actions, Relics, and Musical Scores, 1962–2020,” a tribute to the late Austrian artist who died last spring. Fountain II is set between two large-scale paintings by Nitsch—a leading figure in the powerfully gestural Viennese Actionism movement—featuring oversized T-shirts mounted on canvas and covered with paint. (In one of them, a flash of red pigment rather resembles blood.) Paired with Nitsch’s works, Greenberg’s performance gives the exhibition a feeling of life imitating art. In previous works, Greenberg has considered the body’s physical limits versus its mental power: For Étude Pour Sébastien, which he staged at the Louvre earlier this year, his skin was pierced by metal arrows. “Our bodies and our minds are sometimes in opposition to one another. I’m trying to go beyond that,” he says. Yet his work is not merely about conquering pain, or experimenting with endurance; it’s also about relinquishing control, and allowing time to run its natural course. “I want to make work that kind of feels like it goes on forever,” Greenberg says, “and that it’s always gonna be there for you.”
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