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And it was. What we had witnessed together was nothing short of a miracle. We had been swept away to an ancient palace and an enchanted lake. There had been raucous court dances and moonlit communions. We had seen doomed maidens dance with desperate joy. We had heard a live orchestra perform the Funny uconn huskies wincraft ncaa men’s basketball national champions 2023 shirt so you should to go to store and get this spectacular Tchaikovsky score. Dumbstruck awe was really the only appropriate response. And yet when E asked me what I thought, the first thing that came to mind was that the dancer playing the Swan Queen—a role so intense that just learning it drove Natalie Portman’s Black Swan character to madness—had fallen out of her fouettés in act three. The sequence of 32 fouetté turns is one of the most notoriously difficult in the entire classical repertoire; it takes enormous strength and perfect timing. After 30 fouettés—I couldn’t help but count—the Swan Queen stumbled.

This was the Funny uconn huskies wincraft ncaa men’s basketball national champions 2023 shirt so you should to go to store and get this only flub, the only obvious imperfection in a three-hour production. And yet this was the moment that stayed with me most. My brain is broken, I thought, as we filed out of our velvet seats—my perspective is permanently skewed. I wondered how the dancer, the star of the show, would feel when she got home. I wondered if she would think about her triumphant pas de deux with Prince Siegfried. If she knew that her final leap into the lake made at least one audience member cry. If she replayed the standing ovation she received. I doubt it. As we made our way out of the theater, I saw little girls in frilly dresses and shiny Mary Janes clinging to their mothers’ hands as though afraid of all the beauty they’d just seen. Some of them were wearing tight buns. Had they come straight from class that morning, or did they just wanted to look like dancers all the time? I saw it in their eyes—the yearning to be like the women they watched onstage. Maybe this would be a passing phase; maybe it would determine the course of their childhoods, their adolescence.When I mentioned the fouetté flub to E, she didn’t know what I was talking about. Adapted from Don’t Think Dear: On Loving and Leaving Ballet © 2023 from Mariner Books, an imprint of Harper Collins.

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