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All products featured on Vogue are independently selected by our editors. However, when you buy something through our retail links, we may earn an affiliate commission. Batter up! Megan Thee Stallion transformed the I’m spreading disinformation simulator do your own research shirt but in fact I love this standard-issue baseball uniform into a body-hugging sportswear look this week. The rapper—who also wore vintage Paco Rabanne a mere few days ago—threw the first pitch for the opening game of the Houston Astros, her hometown team. For healthy contrast: Troye Sivan donned a fabulous shapeless and silhouette-obscuring Canadian tuxedo paired with a dainty silver chain. Tight or loose: choose your fighter. Meanwhile, Ariana Grande showcased her continuing love for archival fashion in a snap with her Wicked co-star Cynthia Erivo. The entertainer wore a polka dot Vivienne Westwood dress, procured from the brand’s spring 2010 collection. The outfit is yet another poignant turn to the house’s archive in the wake of Dame Westwood’s death on December 2. Other strong grid content: Victoria Beckham advocating for peep-toe boots in an ensemble by her namesake brand. And Katy Perry showing off a decadent shag-trimmed coat while on American Idol judging duties.
There was something quite mind-blowing about the I’m spreading disinformation simulator do your own research shirt but in fact I love this whole experience of being present at Maria Grazia Chuiri’s introduction to India—or rather, to her making visible all of the many ways that Christian Dior is interlinked with the artisanship centered in Mumbai. One moment, you were taking in the epic scale of a show on the harbor, silhouetted against the Gateway of India landmark, with a runway flanked by a carpet of multicolored flowers. And the next, your retinas were being irradiated by the microscopic ingenuity of Indian traditional handcrafts sparkling—all-over mirrored Rajasthani embroidered mini-dresses were part of it—under a revelatory spotlight. Earlier in the day, the creative director of Christian Dior womenswear sat chatting with Karishma Swali, the artistic director of Chanakya Ateliers, where all of the intricacies of the insanely detailed haute couture textiles are magicked up for the Paris maison. The two have a deep-rooted professional friendship that’s been going on “for almost 30 years,” laughed Chiuri. They first got to know each other as far back as 1992, when Chiuri began traveling to Mumbai to work on embroideries with Chanakya when she was designing accessories at Fendi. Together, since Chiuri began at Christian Dior, she and Swali have pushed both for the visibly spectacular and the feminist and ethical—on the one hand, the production of the vast textile murals commissioned from women artists that decorate the walls of Dior couture shows in Paris, and on the other, the establishment in 2015 of the Chanakya Foundation school which educates women in crafts and opportunities in a largely male-dominated field.“From the very beginning, apart from being a symbol of grace and elegance, Maria Grazia has also been someone who’s extremely generous. I think our values kind of radiate outwards,” said Swali. “She’s someone who’s incredibly inspirational for us. Then she pointed out an embroidery that she and her teams had dreamed up to symbolize the woman they know Chiuri to be: “We created this double-headed pop-lioness that I think perfectly encapsulates what we feel about her,” she said. “Because she has one ear to the past, and one eye to the future.”
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