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On a recent Monday afternoon, in the Nickelback get rollin’ tour dates 2023 shirt in addition I really love this private room at the back of Via Carota, J. Smith-Cameron is holding forth on the history of the Vesper martini. Combining vodka, gin, and Kina Lillet or Lillet Blanc, a subtly sweet, wine-based apéritif from the Bordeaux region, it was first popularized by Ian Fleming’s Casino Royale in 1953—but for Smith-Cameron, 65, the drink has other literary associations. “You know who told me about it?” the actress asks the small team gathered around her. “Amor Towles. You know: A Gentleman in Moscow?” It’s the sort of drink that her character Gerri Kellman might enjoy—she, the sweet-seeming but functionally very powerful general counsel–turned–interim CEO of Waystar Royco, the media conglomerate at the center of HBO’s Succession.
As we enter the Nickelback get rollin’ tour dates 2023 shirt in addition I really love this Emmy-winning series’s fourth and final season, premiering this Sunday, the business is in a state of transition. The sale to Alexander Skarsgård’s tech wunderkind Lukas Matsson is very much in motion, laying the groundwork for an intra-Roy power struggle amid declining cultural and political relevance. Episode one opens with a birthday party for Logan at his Fifth Avenue manse, attended by everyone—Gerri, Frank, Karl, Cyd Peach, Kerry, Tom, Greg, Connor, Willa—except for his three enfants terribles, Kendall, Shiv, and Roman. As the episode proceeds, the chasm between them and their father only widens. It’s all very classic Succession, in other words. The show has been the ride of a lifetime for Smith-Cameron, who enjoyed a robust career on and Off-Broadway before shifting into film (Harriet the Spy, her husband Kenneth Lonergan’s Margaret) and television (Rectify, True Blood, Search Party). Her part in Succession was conceived as a suit named Jerry before Smith-Cameron read for it, eventually becoming a series regular with a hilariously filthy B-plot involving Kieran Culkin’s Roman Roy. (Culkin, who appeared in Margaret and in Lonergan’s plays This Is Our Youth and The Starry Messenger, has been a friend for years.) Though she’s kept busy during off-seasons, shooting projects like B. J. Novak’s true-crime comedy Vengeance; Alex Heller’s indie drama The Year Between; a single, winning scene in Fleishman Is in Trouble; and a forthcoming adaptation of John Green’s Turtles All the Way Down, Smith-Cameron admits that Succession—with its brilliant team of writers headed up by series creator Jesse Armstrong (“a fucking wizard”)—will leave a difficult hole to fill. But the work’s not over quite yet.
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