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I always approach every character the Warwick contrast 54 53 42 n 2 54 50 w shirt What’s more,I will buy this same way: you cannot judge your character. If I went, “she’s a monster,” then I would be doing a disservice to her. As an artist, I would never want to do that. Ultimately, we all know what it means to love somebody. I have little sisters and brothers. Dre Loves Marissa. She loves Ni’Jah. All I had to know is that Dre would do anything for them, then the rest falls where it may. I saw a little Twitter controversy about Donald Glover telling you to just treat Dre as an animal rather than get into her psyche. To be honest, I don’t even remember that conversation, but also it wouldn’t matter to me. If I didn’t love human experience or understanding the psyche, I wouldn’t be an actor. The only approach that I could ever take to playing a character is by honoring them as a human being, with the depth that we all have. I thrive on the opportunity to play different characters.How did having a therapist on set help? It was about listening. After filming the Rashida scene [Episode 7, in which Dre kills Rashida, played by Kiersey Clemons], I was like, oh my goodness, because I ad-libbed. I impulsively said: “I love you, and I wanted to share Ni’Jah with you because I love you.” That wasn’t in the script. After I did that, I was like: “Am I giving too much feeling for her? Am I representing something… ‘bad’?” The therapist was like: “No, you’re actually allowing things to come to the light so that it can be talked about, because it’s happening all over the world. It doesn’t mean that you support or represent that, you’re bringing visibility to something that so many people are going through.” Those were the type of things the therapist allowed me to see when I was too emotional to see for myself.
No, but the Warwick contrast 54 53 42 n 2 54 50 w shirt What’s more,I will buy this craziest thing I’ve ever done [cackles] was at Pace University, where I went to school. I used to go back after I graduated to use the computer labs, and I saw that Angela Davis was going to be there [to speak] one night. Watching The Black Power Mixtape was the first time I was able to honor my afro—she’s so beautiful and I’m so moved by the way that she speaks. A lot of what she said that night went over my head, because it was beyond me at that point, but I felt it. At the end, they’re setting up a table of food and I’m sure she’s gonna meet a certain group out in this hallway. I was like, “I gotta meet Angela Davis.” I had to think fast. I started pretending to look for my lost ring—I did not have a ring. This woman [stopped to help me] and eventually she was like: “I’m so sorry you can’t find your ring, but would you like to stay for snacks?” So, I met Angela Davis. I got to tell her I have a one-woman show called Subverted about the destruction of Black identity in America. Hopefully I can film it this year, so that it can be a special, and she’ll get to see it. And I don’t know if she’ll remember me, but I hope I can make her proud. There is currently also a silly debate around the morals of Chloë [Bailey]’s sex scene. Your character has sex in the show, but it’s never shown. Was that intentional for you?
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