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Tommy G Big Dogs Gotta Eat Shirt

  • Ảnh của tác giả: rainbowtclothingll
    rainbowtclothingll
  • 1 thg 12, 2023
  • 3 phút đọc

Tommy G Big Dogs Gotta Eat Shirt

As you can imagine, the Tommy G Big Dogs Gotta Eat Shirt and I will buy this policy here is look, but please don’t touch. Our Costume Institute guide, Tracy Yoshimura, is wearing pristine white gloves and here to help Sullivan get a closer look at the exquisite construction of this and several other items of clothing designed by the late Karl Lagerfeld. A ball skirt and crop top from Chanel’s 1999 spring couture collection will ultimately inspire the Sullivan-designed outfit I will wear to the Met Gala in just a couple weeks as the editor of Vogue.com. This year is in celebration of “Karl Lagerfeld: A Line of Beauty,” the institute’s latest exhibition, and the dress code—in honor of Karl—speaks for itself. “Going through the collections online, it was a difficult selection to make because there are so many incredible pieces,” says Sullivan who, in addition to the archive Chanel, has picked out a gently padded black Chloe dress from Lagerfeld’s 1970s era at the house for inspiration. “I wanted to nail a few different Karl signatures.”


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Official Tommy G Big Dogs Gotta Eat Shirt

Though her eponymous label, Miss Claire Sullivan, is still relatively new, she’s already developed some alluring signatures of her own. Personally, I’m drawn to the Tommy G Big Dogs Gotta Eat Shirt and I will buy this exuberant exaggerated proportions of her one-of-a-kind designs, the waist-whittling corsetry, the irreverent hyper feminine flourishes, like giant bows and ribbon trimmings for example. There’s also a deliciously subversive attitude to her work that you rarely find in the world of occasion dressing, one that feels reminiscent of the early work of Vivienne Westwood. Her roster of stylish clients reflects that fresh and spirited approach; since she started designing for custom clients in August 2021 she’s worked with the likes of model Paloma Elsesser, artist Tourmaline, and musician Zsela. So of course I was thrilled when she responded almost immediately to my DMs about designing a dress. “I’m a fashion lover through and through,” says Sullivan, who was a member of the New York fashion collective Vaquera before recently striking out on her own. “I love retail, but I think there’s something liberating about working in collaboration with someone to make something feel special to them, tailoring it to their personality as much as to their body.”


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Top Tommy G Big Dogs Gotta Eat Shirt

As you can imagine, the Tommy G Big Dogs Gotta Eat Shirt and I will buy this policy here is look, but please don’t touch. Our Costume Institute guide, Tracy Yoshimura, is wearing pristine white gloves and here to help Sullivan get a closer look at the exquisite construction of this and several other items of clothing designed by the late Karl Lagerfeld. A ball skirt and crop top from Chanel’s 1999 spring couture collection will ultimately inspire the Sullivan-designed outfit I will wear to the Met Gala in just a couple weeks as the editor of Vogue.com. This year is in celebration of “Karl Lagerfeld: A Line of Beauty,” the institute’s latest exhibition, and the dress code—in honor of Karl—speaks for itself. “Going through the collections online, it was a difficult selection to make because there are so many incredible pieces,” says Sullivan who, in addition to the archive Chanel, has picked out a gently padded black Chloe dress from Lagerfeld’s 1970s era at the house for inspiration. “I wanted to nail a few different Karl signatures.”

Though her eponymous label, Miss Claire Sullivan, is still relatively new, she’s already developed some alluring signatures of her own. Personally, I’m drawn to the Tommy G Big Dogs Gotta Eat Shirt and I will buy this exuberant exaggerated proportions of her one-of-a-kind designs, the waist-whittling corsetry, the irreverent hyper feminine flourishes, like giant bows and ribbon trimmings for example. There’s also a deliciously subversive attitude to her work that you rarely find in the world of occasion dressing, one that feels reminiscent of the early work of Vivienne Westwood. Her roster of stylish clients reflects that fresh and spirited approach; since she started designing for custom clients in August 2021 she’s worked with the likes of model Paloma Elsesser, artist Tourmaline, and musician Zsela. So of course I was thrilled when she responded almost immediately to my DMs about designing a dress. “I’m a fashion lover through and through,” says Sullivan, who was a member of the New York fashion collective Vaquera before recently striking out on her own. “I love retail, but I think there’s something liberating about working in collaboration with someone to make something feel special to them, tailoring it to their personality as much as to their body.”

 
 
 

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